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Historisches Seminar

AISL Podcasts 2024

AISL Podcast #5 - Magical Bricks in Ancient Egypt

November 21, 2024

The magical bricks, as described in the sources, were not simply construction materials repurposed for a funerary context. They were meticulously crafted objects imbued with symbolic meaning and ritual significance. Made from finely sieved, dark-coloured clay, they were typically left unbaked, as instructed in the Book of the Dead (BD), 151. This attention to detail extended to the inclusion of specific substances, such as incense, which was mixed with the clay, as evidenced by the brick of Nespamedu.

Brick Nespamedu
Magic brick of the vizier Nespamedu. Egypt, Abydos, Tomb D 57. Oriental Institute of Chicago, Inv. OIM E6330A.

The production of these magical bricks involved specific rituals and incantations, and their placement within the tomb was carefully orchestrated. However, the sources reveal a fascinating tension between the idealised instructions laid out in BD 151 and the actual archaeological findings. These inconsistencies manifest in the materials used, the method of inscription, the number and arrangement of the bricks, and their orientation within the tomb.

BD 151, a spell from the Book of the Dead, meticulously outlines the procedures for creating and placing these magical bricks. It prescribes the use of four unbaked clay bricks, each inscribed with a specific spell and paired with a particular amulet. These amulets, representing Anubis, a mummiform figure, a flame, and a djed-pillar, were to be fixed to the bricks and oriented towards the four cardinal points. This ritual, documented in papyri dating from the early Eighteenth Dynasty to the Ptolemaic Period, aimed to protect the deceased and ensure their successful transition into the afterlife.

Magical brick set
An entire set of four magical bricks from the New Kingdom for Henutmehyt. British Museum, EA EA41544–7

The sources, however, highlight numerous instances where the archaeological evidence diverges from the instructions of BD 151. Baked bricks have been found in place of unbaked ones. Some bricks lack the prescribed inscriptions, while others display inscriptions added after drying. The number of bricks used also varies, with Tutankhamun's tomb containing five bricks instead of four. Their arrangement and orientation within the tomb also frequently deviate from the cardinal alignments dictated by the spell.

The sources offer several possible explanations for these discrepancies. Some suggest that practical considerations, such as the layout of the burial chamber or the position of the sarcophagus, may have taken precedence over strict adherence to the spell's instructions. Others propose that the use of a ritual orientation within the tomb, potentially distinct from the true geographical directions, might account for the variations in orientation.

The discrepancies might also reflect evolving theological interpretations or alternative ritual traditions. The sources posit that over time, the understanding and application of BD 151 may have undergone modifications, leading to variations in practice. It's also conceivable that local customs or individual preferences influenced the production and placement of the bricks. Some scholars even suggest that the mere presence of the bricks, rather than strict adherence to the precise details of BD 151, might have been considered sufficient for fulfilling their protective function.

Listen in to this week's podcast episode, highlighting this and many other peculiarities about magical bricks:

 

Do you want to discuss further? Did you spot an error? Go to the discussion of this podcast episode! From there, you can also download the episode.

Sources

  • Scalf, F. and Lowry, K. B., 2017. Book of the Dead: Becoming God in Ancient Egypt. The Oriental Institute of the University of Chicago.
  • Roth, A.M. and Roehrig, C.H., 2002. Magical Bricks and the Bricks of Birth. The Journal of Egyptian Archaeology88(1), pp.121-139.
  • Régen, I., 2010. When the Book of the Dead does not match archaeology: The case of the protective magical bricks (BD 151). British Museum Studies in Ancient Egypt and Sudan15, pp.267-278.
  • Jané, M.R.G., 2012. About the Orientation of the Magical Bricks in Tutankhamun's Burial Chamber. Journal of the American Research Center in Egypt, pp.111-118.
  • Podcast: NotebookLM
  • Title image has been generated with ChatGPT.

AISL Podcast #4 - The Phaistos Disc

November 14, 2024

The Phaistos Disc is one of the most intriguing mysteries of archaeology. Discovered in 1908 on the island of Crete, this enigmatic artefact, dating back to the Minoan civilization, has captivated scholars for over a century. The disc's most striking feature is its unique script, composed of 45 distinct symbols meticulously stamped into its clay surface. Despite numerous attempts, the Phaistos Disc’s script remains undeciphered, leaving its message shrouded in mystery.

 

What secrets does this ancient artifact hold? Is it a royal decree, a religious hymn, or something else entirely? Join us as our AI-generated podcast explores the ongoing efforts to crack the code of the Phaistos Disc, examining the challenges and methodologies involved in deciphering ancient scripts. We'll look into the disc's potential language and cultural context, drawing upon theories and interpretations put forth by researchers like Ohlenroth (1996), who suggests a connection to the Lycian cult of Zeus.

Phaistos Disc
The Phaistos Disc, c. 1700-1650 BCE, Heraklion Museum, AE 1358.

Prepare to be transported back in time as we discuss:

  • The sophisticated nature of the Phaistos Disc's script and the evidence it provides for the advanced phonetic awareness of its creators.
  • The use of statistical analysis of symbol frequencies to identify potential grammatical markers and phonemic values, a key technique employed in decipherment efforts.
  • The tantalising possibility that the script may represent an early form of Greek with unique orthographic features indicative of dialectal variations and sound changes.

Get ready for a fascinating journey into the world of ancient writing, linguistic puzzles, and the enduring quest to unlock the secrets of the Phaistos Disc.

Do you want to discuss further? Did you spot an error? Go to the discussion of this podcast episode! From there, you can also download the episode.

Sources

  • Ferrara, Silvia, Barbara Montecchi, and Miguel Valerio (eds), Writing from Invention to Decipherment (Oxford, 2024; online edn, Oxford Academic, 24 Oct. 2024), https://doi.org/10.1093/oso/9780198908746.001.0001, accessed 14 Nov. 2024.
  • Ohlenroth, Derk. Das Abaton des Lykäischen Zeus und der Hain der Elaia: Zum Diskos von Phaistos und zur frühen griechischen Schriftkultur. Tübingen: Max Niemeyer Verlag, 1996.
  • Richter-Ushanas, Egbert. Der diskus von phaistos und die heilige Hochzeit von Theseus und Ariadne: ein beitrag zur entschlüsselung der minoischen hieroglyphen und zur kulturgeschichte Europas. Verlag T. Bautz GmbH, 2013.
  • Podcast: NotebookLM
  • Title image has been generated with ChatGPT.

AISL Podcast #3 - Sarpedon Krater

November 7, 2024

This is our very first episode focusing on a Greek object. Today, our artificial podcast hosts are going to be talking about a particular vase, the Sarpedon Krater. It's a fascinating and beautiful piece of ancient art that has a lot to tell us about Greek culture, mythology and artistic techniques.
The Sarpedon Krater is not just an object; it's a window into the past. We'll follow its journey through time, from its creation in Athens to its controversial acquisition by the Metropolitan Museum of Art and its eventual return to Italy. We'll discuss the ethical questions surrounding the acquisition of antiquities and explore the complex relationship between the art market and archaeology.

 

Sarpedon Krater
Euphronios, Sarpedon Krater, (signed by Euxitheos as potter and Euphronios as painter), c. 515 BCE., red-figure terracotta, 55.1 cm diameter (National Museum Cerite, Cerveteri, Italy)

The story depicted on the Krater is a poignant one: the death of the Lycian hero Sarpedon in the Trojan War and the intervention of the gods Sleep and Death to carry his body from the battlefield. We'll examine the different interpretations of this scene, considering both its meaning for the Athenians who made the vase and its significance for the Etruscans who owned it.
Along the way, we'll learn about the artist Euphronios, a pioneer of the red-figure technique, and his circle of talented colleagues. We'll also consider the social context of the symposium, the drinking party that was a central part of ancient Greek life, and the role that vases like the Sarpedon Krater played in these gatherings. This episode will offer a unique blend of art history, archaeology and mythology, bringing the ancient world to life through the story of this extraordinary object.

Do you want to discuss further? Did you spot an error? Go to the discussion of this podcast episode! From there, you can also download the episode.

Sources and Tools

  • Pictures of the krater: Dr. Naraelle Hohensee, "Euphronios, Sarpedon Krater, (signed by Euxitheos as potter and Euphronios as painter), c. 515 B.C.E., red-figure terracotta, 55.1 cm diameter (National Museum Cerite, Cerveteri, Italy)," in Smarthistory, August 31, 2017, accessed November 7, 2024, https://smarthistory.org/trafficking-past/euphronios_krater-met-italian
  • Secondary literature:
    • Spivey, Nigel. The Sarpedon Krater: The life and afterlife of a Greek vase. University of Chicago Press, 2019.
    • Padgett, J. Michael. “Ajax and Achilles on a Calyx-Krater by Euphronios.” Record of the Art Museum, Princeton University, vol. 60, 2001, pp. 3–17. JSTOR, https://doi.org/10.2307/3774809. Accessed 7 Nov. 2024.
    • Junker, Klaus. “Symposiongeschirr oder Totengefässe? Überlegungen zur Funktion Attischer Vasen des 6. Und 5. Jahrhunderts v. Chr.” Antike Kunst, vol. 45, 2002, pp. 3–26. JSTOR, http://www.jstor.org/stable/41321175. Accessed 7 Nov. 2024.
    • Boardman, John. The History of Greek Vases: Potters, Painters and Pictures. Thames & Hudson2001.
  • Podcast: NotebookLM
  • Title image has been generated with ChatGPT.

AISL Podcast #2 - Trajan's Column

October 31, 2024

The Column of Trajan in Rome is a fascinating monument that offers us a unique insight into Roman history, art, and architecture. In this podcast episode, we embark on a journey to uncover the secrets of this impressive structure and discover the stories hidden within its intricate reliefs.

As inputs for NotebookLM, we took the images of the column from below, as well as a text by Dio and a coin. Interestingly, the coin does not feature in the discussion at all.

Trajan's Column in RomeTrajan's Coin

The Column of Trajan is a monument of exceptional significance that continues to captivate us to this day. In this podcast episode, we will attempt to shed light on the many layers of this monument and bring its history to life. Keep in mind that this podcast is automatically generated and thus may contain errors!

Do you want to discuss further? Did you spot an error? Go to the discussion of this podcast episode! From there, you can also download the episode.

Sources and Tools
 

AISL Podcast #1 - A Coin of Augustus

October 24, 2024

In this inaugural episode, we dive into a fascinating journey that began with a simple coin from the reign of Augustus. The podcast explores the story behind a Roman coin from the kenom platform, displaying both the obverse and reverse sides in detail:

Coin of Augustus from 19 BCE.

Using AI tools, the images of the coin were fed into NotebookLM, which remarkably extracted much of the available information solely from the images—without any accompanying descriptions. Even the dating of the coin is accurate, though no specific dates are mentioned in the episode. Interestingly, the inscription on the obverse side doesn't correspond to the visible text on the coin and seems to have been creatively interpreted by the AI.

The episode takes an unexpected turn when a segment from Josephus’ Antiquities (18,65-80) about the destruction of the Temple of Isis is mistakenly uploaded into the same notebook. Despite the error, the AI integrated this side story seamlessly into the narrative, offering a layered discussion on ancient Roman history. This serendipitous detour not only enriches the exploration of Augustus' coin but also adds depth to the podcast by linking two seemingly unrelated historical events.

Tune in to uncover how AI and ancient history collide in this unique look at Roman artefacts and historical storytelling.

Do you want to discuss further? Did you spot an error? Go to the discussion of this podcast episode! From there, you can also download the episode.

Sources and Tools